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CAPSLOCK STILL HERE
Jun. 29th, 2009 08:20 pmHave had a few 'proper' (ie both crampy & achey) contractions this evening - will they stay? Will they go? That's the beauty of childbirth - we just don't know! Hope I pop soon though - it's so bloody hot!
My Showbiz Chum Off The Telly (and I think I can now happily refer to him as My Showbiz Chum - he has recently enquired as to my wellbeing, and called me 'a very funny lady', so suck on that!) David Schneider appears to want me to LiveTweet the Labour. To which there is only one suitable reply -
I have Pralines & Cream Icecream in the freezer, and ISIHAC to listen to. These are good things.
Oh, and I highly recommend renting out 'If You See God, Tell Him', if you can - 4 parter black comedy drama by David Renwick from back in 1993. Very of-its-time, but considering that the main things it satirises are over-commercialisation, dumbing down and the then-Government's handling of Recession and mass unemployment, it's still very current. Wonderful performances from Richard Briers and Imelda Staunton as well as lots of great cameos, but the one who really shines is Ade Edminson, very much against type as a Meldrew-esque put-upon suburban everyman. Gloriously dark & surreal - touches of Gilliam, especially 'Brazil', which it seems to directly reference in certain shots.
My Showbiz Chum Off The Telly (and I think I can now happily refer to him as My Showbiz Chum - he has recently enquired as to my wellbeing, and called me 'a very funny lady', so suck on that!) David Schneider appears to want me to LiveTweet the Labour. To which there is only one suitable reply -
I have Pralines & Cream Icecream in the freezer, and ISIHAC to listen to. These are good things.
Oh, and I highly recommend renting out 'If You See God, Tell Him', if you can - 4 parter black comedy drama by David Renwick from back in 1993. Very of-its-time, but considering that the main things it satirises are over-commercialisation, dumbing down and the then-Government's handling of Recession and mass unemployment, it's still very current. Wonderful performances from Richard Briers and Imelda Staunton as well as lots of great cameos, but the one who really shines is Ade Edminson, very much against type as a Meldrew-esque put-upon suburban everyman. Gloriously dark & surreal - touches of Gilliam, especially 'Brazil', which it seems to directly reference in certain shots.
